As “Saturday Night Live” ended their 36th season, the show permit the evening’s megastar company, Lady Gaga and Justin Timberlake, grab the reins; a move which meant a revisit of a few of JT’s timeless “SNL” gags along with a live tv moment only Mother Monster could possibly send out.
Justin started off the show making it mandatory that he couldn’t survive vocal singing throughout his most current appearance, only to segue right into a ditty throughout which he shattered away his trademark falcetto, serenaded a blushing audience member and brought it on home with some soulful thrills.
But he didn’t remain on the anti-singing kick for long, appearing within the initial sketch being an overeager street marketer in a beer-bottle outfit equipped with booze-friendly variations of pop hits. Going up against side-eyes from a prudish, tea-shilling Kristen Wiig, Timberlake countered with pro-imbibing jams just like a revamp of DJ Khaled’s “All I Do Is Win.” Lady Gaga got in the loop, too, tottering on set in a snug vine-swathed dress with goblet-shaped handwear cover thingys to join Timberlake for reboot of B.o.B and Hayley Williams’ smash “Airplanes,” singing, “I could really use a drink right now.” The duo then belted “too much merlot” to Flo Rida’s “Low” prior to switching up the easy-listening addition “Endless Love” to “Endless Buzz,” with lines like, “No one can deny/ This hooch I have inside.”
Lady Gaga furthermore exhibited her comedy abilities in a digital short alongside Timberlake and Andy Samberg. Following obtaining some sugar from mature vixens Patricia Clarkson and Susan Sarandon, JT and Samberg hit the streets in Color Me Badd fresh jumpsuits and leather bombers only to both make an appearance at Gaga’s door clutching Alize and Bartles & Jaymes. Looking in gold hoops along with a showy getup, the pop supernova welcomed them in for an ode to the ménage a trois. “You’re my best friend through thick and thin and now it’s time to make a triple connection,” the team belted. “It’s OK when it’s in a three-way. It’s not gay when it’s in a three-way!”
Gaga’s initial onstage performance started having a a lot more subdued tone. Banging away over a striped grand piano with a silvery crescent-shaped headdress, the singer displayed her spicey vocals by having an impassioned rendition of “Edge of Glory.” Then Mother Monster ditched the intimate vibe — and also the headpiece — for a performance of her single “Judas.” Dancers in dark kilts as well as strappy, belted bodices supported Gaga, who matched her two-toned hair, shiny black body suit and thigh-high footwear using the striped stage. Following bending a few of the video’s high-energy choreography, Gaga retreated to a step ladder along the side of the set for a bit before launching into the punchy movements.
For her last onstage trick, Gaga revisited the futuristic birth theme of her February Grammy performance of “Born This Way,” enhancing the overall performance with a few S&M touches. Once more, the celebrity surfaced from an egg-shaped structure, this time around however the vessel had been adorned with caviar-like protuberances. Gaga hit the stage in a cropped latex top with full shoulders and second-skin nylons as fog encased the performer and her group. Swapping out the flesh-tone tunics from the Grammy performance for shiny belly-baring tops and slashed culottes, the dancers rocked the choreography as Gaga whipped her blonde ponytail around. Surrounded by her dancers for an onstage outfit change, Mother Monster ramped up the performance by acquiring fitted with a prosthetic latex-covered pregnancy belly. Gaga vamped it up within the fake baby lump as her crew hoisted her onto a throne and caressed her entire body, and glitter rained on the pop diva.
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